"Missa Secunda, Messe für vierstimmigen Chor: Kyrie" by Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich was released on November 6, 2015. The duration of Missa Secunda, Messe für vierstimmigen Chor: Kyrie is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Missa Secunda, Messe für vierstimmigen Chor: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alsfelder Vokalensemble Bremen, Wolfgang Helbich's "Hassler: Missa Secunda" album is number 1 out of 8. Missa Secunda, Messe für vierstimmigen Chor: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Secunda, Messe für vierstimmigen Chor: Kyrie by Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM | ||
Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glorification of the Mother of God | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 132 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Dettingen Te Deum in D Major, HWV 283: We praise Thee, O God | George Frideric Handel, Ulrike Andersen, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | D♭ Major | 2 | 3B | 105 BPM | ||
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
Missa octo vocum (Excerpts): I. Kyrie | Hans Leo Hassler, Ensemble Vox Archangeli, Manuel Schuen | A Major | 2 | 11B | 137 BPM |