"Fünf Gesänge, Op. 104: II. Nachtwache II" by Johannes Brahms, Cappella Amsterdam, Daniel Reuss was released on November 17, 2014. With Fünf Gesänge, Op. 104: II. Nachtwache II being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Brahms: Choral Works by Johannes Brahms, Cappella Amsterdam, Daniel Reuss. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Fünf Gesänge, Op. 104: II. Nachtwache II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fünf Gesänge, Op. 104: II. Nachtwache II by Johannes Brahms, Cappella Amsterdam, Daniel Reuss is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
The Passing of the Year: III. Answer July | Jonathan Dove, Voces8 | C Major | 2 | 8B | 90 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 4. Lieber Gott, du weisst | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | E♭ Major | 1 | 5B | 103 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | D Major | 1 | 10B | 83 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Vespers, Op. 37: O Serene Light | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | D Major | 0 | 10B | 104 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: II. Gloria | Louis Vierne, Michel Bouvard | A Major | 2 | 11B | 76 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM |