"11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 4. Lieber Gott, du weisst" by Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling was released on January 1, 1992. With 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 4. Lieber Gott, du weisst being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 21 in Brahms, J.: 11 Zigeunerlieder / Quartets - Opp. 31, 112 / Schumann, R.: Zigeunerleben, Op. 29 by Johannes Brahms, Gächinger Kantorei Stuttgart, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 4. Lieber Gott, du weisst is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 4. Lieber Gott, du weisst by Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto | Johannes Brahms, Tal & Groethuysen | G Minor | 1 | 6A | 70 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |