"Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen" by Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss was released on April 3, 2012. The duration of Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Reuss's "Mendelssohn - Kreek: Psalms" album is number 10 out of 17. Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen by Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Ein feste Burg ist unser Gott in F Major | Melchior Franck, Vox Luminis, Lionel Meunier, Bart Jacobs | C Major | 2 | 8B | 66 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
Cantata, BWV 89: Wo soll ich fliehen hin | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Minor | 0 | 1A | 68 BPM | ||
Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | G Minor | 0 | 6A | 139 BPM | ||
3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A♭ Major | 2 | 4B | 83 BPM |