"Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..."" by Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia was released on January 1, 1993. Since Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..." is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "Rachmaninoff: Liturgy of St. John Chrysostom, Op. 31 - O Mother of God; Vigilantly Praying - Chorus of Spirit - Panteley the Healer". In this album, this song's track order is #2. Based on our statistics, Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..."'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..." by Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
All-Night Vigil, Op. 37: O come and worship | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Vespers, Op. 37: Bless The Lord, O My Soul | Yevhen Savchuk, Sergei Rachmaninoff, Olga Borusene, National Choir Of The Ukraine "Dumka", Mykhaylo Tyshchenko, Yuri Korinnyk | D♭ Major | 2 | 3B | 83 BPM | ||
Vespers, Op. 37: Blessed Be the Man | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Minor | 2 | 1A | 129 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
The Cherubic Hymn, Op. 37 No. 1 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | G Minor | 1 | 6A | 61 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIII. Our Father | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Major | 2 | 4B | 119 BPM |