"All-Night Vigil, Op. 37: O come and worship" by Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky was released on November 1, 2015. The duration of All-Night Vigil, Op. 37: O come and worship is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. All-Night Vigil, Op. 37: O come and worship's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rachmaninoff: All-Night Vigil, Op. 37". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, All-Night Vigil, Op. 37: O come and worship's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: O come and worship by Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Gioite voi col canto | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 134 BPM | ||
Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Miserere, Op.44: 5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 80 BPM |