"Die Walküre / Erster Aufzug: "Schläfst du, Gast?"" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Die Walküre / Erster Aufzug: "Schläfst du, Gast?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #9. The popularity of Die Walküre / Erster Aufzug: "Schläfst du, Gast?" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Erster Aufzug: "Schläfst du, Gast?" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai | Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo Muti | B♭ Major | 1 | 6B | 67 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Káta Kabanová / Act 2: Jste to vy, Katerino Petrovno? | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 140 BPM | ||
Carmen, Act I, No.9 Chanson et Mèlodrame: Récit: Où me conduirez-vous? (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 94 BPM | ||
Salome, Op.54, TrV 215 / Scene 1: "Wie schön ist die Prinzessin Salome heute Nacht!" | Richard Strauss, Waldemar Kmentt, Josephine Veasey, Zenon Kosnowski, Heinz Holecek, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 7 | 3A | 126 BPM | ||
Die Fledermaus / Act 1: Dialog: Die arme Tante | Johann Strauss II, Julia Varady, René Kollo | G Major | 1 | 9B | 110 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Wotan! Gemahl! Erwache!" | Richard Wagner, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM |