"Timor et tremor - (Motet)" by Orlande de Lassus, The Sixteen, Harry Christophers was released on January 1, 2011. With this song being about 5 minutes long, at 4:53, "Timor et tremor - (Motet)" by Orlande de Lassus, The Sixteen, Harry Christophers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Allegri: Miserere; Tallis: Lamentations of Jeremiah & other Renaissance Masterpieces by The Sixteen, Gabrieli, Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Timor et tremor - (Motet)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Timor et tremor - (Motet) by Orlande de Lassus, The Sixteen, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vêpres opus 37 (Ave Maria) | Sergei Rachmaninoff, Laurence Equilbey, Eric Ericson, Accentus | E Minor | 0 | 9A | 79 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Vesperae Solennes de Confessore: Laudate pueri - Live | Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 112 BPM | ||
Song For Athene | John Tavener, The Sixteen, Harry Christophers | B♭ Major | 0 | 6B | 140 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Seven Poems of Robert Bridges: No. 5, Nightingales | Gerald Finzi, Robert Bridges, The Sixteen, Harry Christophers | A♭ Major | 0 | 4B | 111 BPM | ||
The First Dirge Anthem: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World | Thomas Morley, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 130 BPM | ||
Vespers of 1610: Nisi Dominus | Claudio Monteverdi, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 87 BPM |