"Czyż: Pożegnania: No. 2, Na wzgórzach Gruzji" by Henryk Czyz, Jakub Józef Orliński, Michał Biel had its release date on March 25, 2022. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Farewells - Czyż: Pożegnania: No. 2, Na wzgórzach Gruzji and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Czyż: Pożegnania: No. 2, Na wzgórzach Gruzji is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Czyż: Pożegnania: No. 2, Na wzgórzach Gruzji by Henryk Czyz, Jakub Józef Orliński, Michał Biel is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dhabitude | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
Chanson russe (Arr. for Cello and Piano) | Igor Stravinsky, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Dowland / Transcr. Garcia: A Musicall Banquet: No. 3, In Darkness Let Me Dwell | John Dowland, Philippe Jaroussky, Thibaut García | G Minor | 0 | 6A | 59 BPM | ||
Wesendonck Lieder, WWV 91: III. Im Treibhaus (Orch. Mottl) - Live from Salzburg | Richard Wagner, Elina Garanca, Wiener Philharmoniker, Christian Thielemann | D♭ Major | 0 | 3B | 81 BPM | ||
Czyż: Pożegnania: No. 2, Na wzgórzach Gruzji | Henryk Czyz, Jakub Józef Orliński, Michał Biel | G Major | 2 | 9B | 67 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Guido de Neve, Jan Michiels | D Major | 0 | 10B | 104 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM |