Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's 'The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons' came out on September 14, 2018. With The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's "Glazunov: The Seasons, Op. 67 - Tchaikovsky: Serenade for Strings, Op. 48" album is number 12 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons by Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Norske eventyrbilleder (Scenes from Norwegian Fairy Tales), Op. 37: III - Entry of the Trolls into the Blue Mountain | Johan Halvorsen, Iceland Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 136 BPM | ||
Mercure: I. Ouverture | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6 - Sostenuto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Hungarian Folkdance Suite, Op. 18: I. Allegro risoluto e ben marcato | Leó Weiner, Neeme Järvi, Philharmonic Orchestra, Hugh Bean | D Major | 2 | 10B | 134 BPM | ||
Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM |