Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim's 'Polovtsian Dances from Prince Igor: V. Presto' came out on 1977. With Polovtsian Dances from Prince Igor: V. Presto being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 15 in Borodin: Polovtsian Dances; Rimsky-Korsakov: Russian Easter Festival, Ouverture; Mussorgsky: A Night on the Bare Mountain; Rimsky-Korsakov: Capriccio Espagnol by Chicago Symphony Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Polovtsian Dances from Prince Igor: V. Presto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polovtsian Dances from Prince Igor: V. Presto by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 184 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
La melancolie (arr. H. Kraggerud): La Melancolie (arr. H. Kraggerud) | Henning Kraggerud, Ole Bull, Razumovsky Symphony Orchestra, Bjarte Engeset | D Minor | 2 | 7A | 59 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM |