Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers's 'Missa Iam Christus astra ascenderat: Benedictus' came out on June 2, 2014. With Missa Iam Christus astra ascenderat: Benedictus being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Palestrina, Vol. 5". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Missa Iam Christus astra ascenderat: Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Iam Christus astra ascenderat: Benedictus by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Missa Viri Galilaei: Missa Viri Galilaei: Agnus Dei | Giovanni Pierluigi da Palestrina, Philippe Herreweghe, Ensemble Vocal Européen | D♭ Minor | 1 | 12A | 73 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
Pueri Hebraeorum | Giovanni Pierluigi da Palestrina, Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 94 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM |