Thomas Weelkes, Consort Of Musicke, Anthony Rooley's 'Alleluia, I Heard a Voice' came out on March 26, 2013. The duration of Alleluia, I Heard a Voice is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Alleluia, I Heard a Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Thomas Weelkes: Anthems & Madrigals". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Alleluia, I Heard a Voice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alleluia, I Heard a Voice by Thomas Weelkes, Consort Of Musicke, Anthony Rooley having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Cor mio, deh, non languire | Gemignano Capilupi, Consort Of Musicke, Anthony Rooley | C Minor | 1 | 5A | 85 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
My Bonny Lass She Smileth | Thomas Morley, Pro Cantione Antiqua, Philip Ledger | G Major | 1 | 9B | 92 BPM | ||
Philips Pavan & Galliard | Peter Philips, Anthony Rooley, James Tyler | G Major | 2 | 9B | 118 BPM | ||
Like the Rash and Giddy Fly | Walter Porter, Consort Of Musicke, Anthony Rooley | C Minor | 1 | 5A | 84 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Pascha nostrum immolatus (à 1) (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | C Major | 1 | 8B | 91 BPM |