"Like the Rash and Giddy Fly" by Walter Porter, Consort Of Musicke, Anthony Rooley had its release date on March 14, 2018. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Like the Rash and Giddy Fly's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walter Porter: Madrigales and Ayres, 1632 by Walter Porter, Consort Of Musicke, Anthony Rooley. The song's track number on the album is #18 out of 19 tracks. Based on our data, Spain was the country where this track was produced or recorded. Like the Rash and Giddy Fly is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Like the Rash and Giddy Fly by Walter Porter, Consort Of Musicke, Anthony Rooley has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Like the Rash and Giddy Fly being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | A♭ Minor | 1 | 1A | 78 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM | ||
Glosada LXVI | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 90 BPM | ||
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 126 BPM | ||
All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
Guerrero: Sabes lo que heziste | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
Missa S. Marcellini: XXII. Sanctus - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 90 BPM | ||
Exultate in Deo fideles: No. 1, Aria, "Exultate in Deo fideles" | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Guerrero: Ductus est Iesus II | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |