"Requiem: Requiem: III. Sequenz - Dies irae (Coro)" by Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on October 25, 2011. The duration of Requiem: Requiem: III. Sequenz - Dies irae (Coro) is about 3 minutes long, at 3:00. Based on our data, "Requiem: Requiem: III. Sequenz - Dies irae (Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's "Johann Christian Bach: Requiem" album is number 2 out of 22. In terms of popularity, Requiem: Requiem: III. Sequenz - Dies irae (Coro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Requiem: III. Sequenz - Dies irae (Coro) by Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): V. Communio - Lux æterna | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Freiburger Barockorchester, René Jacobs | D Minor | 1 | 7A | 79 BPM | ||
Requiem: Requiem: 10. Quartetto. Confutatis maledictis | Johann Christian Bach, Lenneke Ruiten, Ruth Sandhoff, Colin Balzer, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | G Minor | 2 | 6A | 78 BPM | ||
Concerto grosso in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Akademie für Alte Musik Berlin | D♭ Minor | 2 | 12A | 117 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze" | Johann Sebastian Bach, RIAS Kammerchor, Benno Schachtner, Akademie für Alte Musik Berlin, René Jacobs | B♭ Major | 0 | 6B | 87 BPM |