Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür made "Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai" available on January 4, 1995. The duration of Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 18 in Bach, J.C.: Sinfonias, Vol. 1 by Johann Christian Bach. Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: II. Andante | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | C Major | 2 | 8B | 90 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): II. Presto | Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | C Major | 2 | 8B | 74 BPM | ||
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
Sonate No. 62 en Mi bémol majeur Hob. XVI/52: III. Finale : Presto | Franz Joseph Haydn, Anne Queffélec | E♭ Major | 2 | 5B | 88 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 0 | 8B | 103 BPM |