Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger's ' "Ardo e scoprir, ahi lasso, io non ardisco" was released on its scheduled release date, January 1, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 24 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ardo e scoprir, ahi lasso, io non ardisco is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ardo e scoprir, ahi lasso, io non ardisco by Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
All'imperio d'Amore: 1. Toccata "La Renuccini" | Girolamo Fantini, Ensemble Pygmalion, Raphael Pichon | D Major | 4 | 10B | 137 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 | Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter | G Major | 1 | 9B | 129 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato | G Minor | 2 | 6A | 173 BPM | ||
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM |