"Requiem, Op. 9: III. Domine Jesu Christe" by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra was released on June 1, 1987. Since Requiem, Op. 9: III. Domine Jesu Christe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 16 in Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 by Robert Shaw, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Requiem, Op. 9: III. Domine Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: III. Domine Jesu Christe by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Messe "Cum Jubilo", Op. 11: Gloria | Maurice Duruflé, The Choir of Magdalen College, Oxford, Mark Chaundy, Richard Pinel | F Major | 1 | 7B | 112 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Chanson d'automne | Alphons Diepenbrock, Netherlands Chamber Choir, Anton Verheij | A Major | 0 | 11B | 111 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Peter Harvey | A♭ Minor | 1 | 1A | 126 BPM |