Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon's ' "Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang" was released on its scheduled release date, September 7, 2009. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #2 out of 38 tracks. In terms of popularity, Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Die Dreigroschenoper: Akt II, Die Seeräuber-Jenny oder Träume eines Küchenmädchens ("Meine Herren, heute sehen Sie mich Gläser abwaschen") | Kurt Weill, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 81 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
Bachianas Brasileiras No. 5, W389: Aria (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski | A Minor | 2 | 8A | 86 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
The Salley Gardens | Benjamin Britten, Karla Haltenwanger, Andrè Schuen | B♭ Major | 1 | 6B | 74 BPM | ||
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM |