"Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle" by Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar was released on April 1, 2003. The duration of Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar's "Mussorgsky: Orchestral Works" album is number 14 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle by Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No.4 In B Flat, Op.60: 3. Allegro vivace | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 136 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr mässig und zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Major | 0 | 8B | 75 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Siegfried, WWV 86C, Act I: Prelude | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Samson et Dalila / Act 3: Interlude / Zwischenspiel / Intermezzo | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |