"Siegfried, WWV 86C, Act I: Prelude" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden was released on November 10, 2017. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Siegfried, WWV 86C by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden, Matthias Goerne, Deborah Humble. The song's track number on the album is #1 out of 51 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Siegfried, WWV 86C, Act I: Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried, WWV 86C, Act I: Prelude by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Siegfried, WWV 86C, Act I: Prelude being at 65 テンポ, the half-time would be 32 テンポ with a double-time of 130 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Petite Suite, WD 39: No. 2. Berceuse: La Poupee | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 9 | 9B | 122 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 78 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Tristan und Isolde: Act I Scene 3: O Wunder! Wo hatt' ich die Augen? (Brangane, Tristan) | Richard Wagner, Wolfgang Millgramm, Lennart Forsen, Hedwig Fassbender, Gunnar Lundberg, Magnus Kyhle, Martina Dike, John Erik Eleby, Ulrik Qvale, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Leif Segerstam | B Major | 1 | 1B | 141 BPM | ||
Gone with the Wind: Life is a Drama (arr. for violin and orchestra) | Anonymous, Michael Lai, Takako Nishizaki, Hong Kong Philharmonic Orchestra, Kenneth Jean | A Minor | 1 | 8A | 98 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM |