"Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana" by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber was released on July 5, 2011. The duration of Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #19 out of 48 tracks. Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in E Minor, Op. 14, No. 5, RV 40 (arr. L. Dallapiccola for cello and piano): III. Largo tranquillo alla Siciliana being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Nash Ensemble | D Minor | 2 | 7A | 80 BPM | ||
String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Improvisation on Mozart's "Linz" Symphony | Tarmo Peltokoski | C Major | 2 | 8B | 73 BPM | ||
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
Chôro No. 2, W198 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Eternal Rest | Jade Spirit | F Major | 2 | 7B | 92 BPM |