"Symphony, Op. 20: VII. Temps suspendu" by Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson was released on May 20, 2022. With Symphony, Op. 20: VII. Temps suspendu being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson's "Hyde: Symphony, Op. 20" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony, Op. 20: VII. Temps suspendu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony, Op. 20: VII. Temps suspendu by Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dark Corridor - 1 Version | Byeong Woo Lee | E♭ Major | 0 | 5B | 84 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Symphony, Op. 20: IX. Avanti! | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
The Planets Suite: Venus, Bringer Of Peace | Dr. Jeffrey Thompson | F Minor | 0 | 4A | 83 BPM | ||
Lux Aeterna: I. Andante misterioso | Rihards Dubra, Saxtett | G Major | 0 | 9B | 66 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Suite in an Old Style in A minor, op.10: 1. Presto | Christian Sinding, Ryu Goto, Philharmonia Orchestra, Christopher Warren-Green | D Minor | 1 | 7A | 87 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) | Charles Koechlin, Toon Fret, Veronika Iltchenko | A Minor | 0 | 8A | 74 BPM |