"Lutoslawski : Symphony No.3 : I Vivo - Lento" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra was released on March 1, 1993. With Lutoslawski : Symphony No.3 : I Vivo - Lento being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 4 out of 13. Based on our statistics, Lutoslawski : Symphony No.3 : I Vivo - Lento's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lutoslawski : Symphony No.3 : I Vivo - Lento by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Sequenza I for flute (1958) | Luciano Berio, Sophie Cherrier | B♭ Minor | 0 | 3A | 136 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | ||
Feu d'artifice, Op. 4 | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 83 BPM | ||
String Quartet in F Major, M. 35: IV. Vif et agité | Maurice Ravel, Dante Quartet | D Minor | 1 | 7A | 69 BPM | ||
Concerto for Viola and Orchestra: III. Allegro moderato | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | D Minor | 1 | 7A | 92 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
6 Consolations, S. 172: No. 6 in E Major (Allegretto, sempre cantabile) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 72 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM |