Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM | ||
5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | A Minor | 0 | 8A | 74 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM |