Felix Mendelssohn, Daniel Barenboim made "Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song"" available on January 1, 1974. The duration of Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 6 out of 58. In terms of popularity, Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 2 | 10A | 97 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 104 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |