"Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto" by Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs was released on May 10, 2024. Since Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Loeffler: Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto by Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
Klassischer Rave | Bamp, Sam Suggs | C Major | 8 | 8B | 130 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
Rock 'em | Bamp, Sam Suggs | C Major | 8 | 8B | 130 BPM | ||
Sonata for 2 Violins in A Minor, Op. Posth.: I. Poco lento, maestoso - Allegro fermo | Eugène Ysaÿe, Francisco Fullana, Stella Chen | A Minor | 0 | 8A | 85 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | B♭ Minor | 4 | 3A | 84 BPM | ||
The Road to Casterbridge | Luke Faulkner, Özgür Kaya | A Minor | 0 | 8A | 115 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: III. Allegretto grazioso | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM |