On January 1, 2002, the song "Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro" was released by George Frideric Handel, Berlin Baroque Compagney. The duration of Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 43 in Chamber Music (Old English) - Mudge, R. / Handel, G.F. / Clarke, J. / Corbett, W. / Snow, V. / Finger, G. / Purcell, H. by Berlin Baroque Compagney. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro by George Frideric Handel, Berlin Baroque Compagney is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: I. Andante larghetto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM |