Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra made "Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto" available on January 1, 1983. Since Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Bach: Violin Concertos, BWV 1041 - 1042 & Concerto for Two Violins, BWV 1043 by Johann Sebastian Bach, Anne-Sophie Mutter, Salvatore Accardo, English Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto by Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: IIIa. Allegro molto | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 2 | 8B | 79 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Elizabeth Wilcock, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 180 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |