"Tosca / Act 1: "Recondita armonia"" by Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1993. The duration of Tosca / Act 1: "Recondita armonia" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Tosca / Act 1: "Recondita armonia"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Puccini, Thomas Hampson, Leonard Bernstein, Giuseppe Sinopoli, Herbert von Karajan, Roberto Abbado, Orchestra dell'Accademia Nazionale di Santa Cecilia, Wiener Philharmoniker, Philharmonia Orchestra, Orchestra Del Gran Teatro La Fenice, Jerry Hadley's "Mad About Puccini" album is number 7 out of 15. On top of that, Germany appears to be the country where this track was created. Tosca / Act 1: "Recondita armonia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tosca / Act 1: "Recondita armonia" by Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (1986 - Remaster), Act I: L'Imperial Commissario (Goro/Pinkerton/Coro/Butterfly/Cugina/La Madre/Yakuside/Zia/Sharpless) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Major | 3 | 6B | 110 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | D♭ Major | 1 | 3B | 89 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM |