"Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?" by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose was released on October 12, 2003. The duration of Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 37 in Barber: Vanessa by Samuel Barber, Various Artists, Gil Rose. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose is Allegro (fast, quick, and bright), since this song has a tempo of 153 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Variants for Jazz Quartet and Orchestra | Gunther Schuller, Boston Modern Orchestra Project, Gil Rose | C Major | 0 | 8B | 140 BPM | ||
Full Moon in March: Duet: Queen and Swineherd | John Harbison, Boston Modern Orchestra Project, Lorraine DiSimone, Anne Harley, Frank Kelley, James Maddalena, Gil Rose | A Minor | 3 | 8A | 90 BPM | ||
Prince Igor (Knyaz Igor): Act II: Myedlenno dyn' ugasal (Slowly the day was fading) (Vladimir) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 82 BPM | ||
After Brahms: I. Allegro con molto appassionato | Avner Dorman, Boston Modern Orchestra Project, Gil Rose | D Major | 0 | 10B | 74 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Uriah (The Man the King Wanted Dead): I. Andantino indignato | Avner Dorman, Boston Modern Orchestra Project, Gil Rose | A♭ Minor | 2 | 1A | 118 BPM | ||
Bizet: Chanson d'avril | Georges Bizet, Susan Graham, Malcolm Martineau | F Major | 1 | 7B | 94 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM |