John Harbison, Boston Modern Orchestra Project, Lorraine DiSimone, Anne Harley, Frank Kelley, James Maddalena, Gil Rose's 'Full Moon in March: Duet: Queen and Swineherd' came out on April 21, 2009. The duration of Full Moon in March: Duet: Queen and Swineherd is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Full Moon in March: Duet: Queen and Swineherd's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Harbison, Boston Modern Orchestra Project, Lorraine DiSimone, Anne Harley, Frank Kelley, James Maddalena, Janna Baty, Gil Rose's "John Harbison: Full Moon in March" album is number 8 out of 21. In terms of popularity, Full Moon in March: Duet: Queen and Swineherd is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Full Moon in March: Duet: Queen and Swineherd by John Harbison, Boston Modern Orchestra Project, Lorraine DiSimone, Anne Harley, Frank Kelley, James Maddalena, Gil Rose to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (e) Andantino cantabile. Variation IV (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Minor | 2 | 6A | 71 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Suite à l'ancienne: I. Préambule | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 4. Andante grazioso – | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Three City Blocks: No. 1. Fervent and resolute | John Harbison, New England Conservatory Wind Ensemble, Frank Battisti | F Major | 1 | 7B | 69 BPM |