"Variants for Jazz Quartet and Orchestra" by Gunther Schuller, Boston Modern Orchestra Project, Gil Rose was released on October 1, 2008. The duration of Variants for Jazz Quartet and Orchestra is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Variants for Jazz Quartet and Orchestra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gunther Schuller, Boston Modern Orchestra Project, Gil Rose's "Gunther Schuller: Journey Into Jazz" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Variants for Jazz Quartet and Orchestra's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variants for Jazz Quartet and Orchestra by Gunther Schuller, Boston Modern Orchestra Project, Gil Rose to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: IV. Andantino – Allegro | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Concerto for Euphonium and Chamber Orchestra: I. Moderato - Allegro vivace - Meno mosso - Pochissimo meno | Joseph Horovitz, Bramwell Tovey, BBC National Orchestra Of Wales, David Childs | F Minor | 0 | 4A | 122 BPM | ||
Le canon, les animas (frontière Bolivie-Chili) | Georges Garvarentz, Raymond Lefèvre | F♯ Major | 1 | 2B | 79 BPM | ||
Concerto in D Major for Double Bass and Orchestra: I. Allegro moderato | Johann Baptist Vanhal, Edwin Barker, Gunther Schuller, Pro Arte Chamber Orchestra | D♭ Major | 0 | 3B | 109 BPM | ||
Crown Imperial: Coronation March (arr. J. Kreines) | William Walton, Joseph Kreines, Chicago Symphony Orchestra, brass section, Jay Friedman | C Major | 5 | 8B | 113 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Chosen Gems for Winds: Folk-Tune (After E. Goossens) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | A Minor | 1 | 8A | 139 BPM | ||
カヴァティーヌ | Camille Saint-Saëns, Ian Bousfield, Alison Procter | E♭ Major | 0 | 5B | 64 BPM |