"Le canon, les animas (frontière Bolivie-Chili)" by Georges Garvarentz, Raymond Lefèvre was released on January 2, 2015. With Le canon, les animas (frontière Bolivie-Chili) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georges Garvarentz, Raymond Lefèvre's "Le rat d'Amérique (Bande originale du film)" album is number 9 out of 17. On top of that, Canada appears to be the country where this track was created. Le canon, les animas (frontière Bolivie-Chili) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le canon, les animas (frontière Bolivie-Chili) by Georges Garvarentz, Raymond Lefèvre to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concerto: IV. Allegro | Kazimierz Serocki, Christian Lindberg, Swedish Radio Symphony Orchestra, Leif Segerstam | F Major | 2 | 7B | 86 BPM | ||
Dark Water | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Flourish Forever | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
Escape (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Major | 2 | 1B | 105 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
Tippett: Little Music for String Orchestra: III. Air. Andante espressivo | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Processo | Bruno Nicolai | B Minor | 2 | 10A | 124 BPM | ||
Metropolis: I. Auftakt: Im Hause Rotwangs | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 1 | 7B | 103 BPM |