"Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt" by Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan was released on April 19, 2024. With this song being about 5 minutes long, at 4:48, "Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt" by Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in All These Lighted Things by Elim Chan, Antwerp Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt by Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 2, Romeo | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 111 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM |