Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen's 'La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live]' came out on November 18, 2022. The duration of La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème (Arr. M. van Bellen & M. Halvorsen for Violin & Piano) [Live]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] by Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Madama Butterfly, SC 74: Che giova? ... Io so che alle sue pene | Giacomo Puccini, Jonathan Tetelman, Rihab Chaieb, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 4 | 2B | 94 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM |