"Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante" by Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman had its release date on April 13, 2018. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers's "Home" album is number 19 out of 21. On top of that, Australia appears to be the country where this track was created. Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante by Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss, Øyvind Gimse | B♭ Major | 1 | 6B | 72 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) | Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic | D♭ Minor | 0 | 12A | 69 BPM | ||
Reincarnations: The Coolin', Op. 16, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 0 | 7B | 81 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Prayers of Kierkegaard, Op. 30: O Thou Who Art Unchangeable | Samuel Barber, Robert Shaw, Atlanta Symphony Orchestra, Carmen Pelton, Richard Clement, Nannette Soles | C Major | 0 | 8B | 86 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM |