"Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski)" by Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic was released on March 1, 1995. Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #6. Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) by Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | ||
Simple Symphony, Op. 4: Sentimental Sarabande | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Minor | 0 | 6A | 75 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM |