Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado's 'Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen"' came out on January 24, 2005. The duration of Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado's "Mozart: Die Zauberflöte" album is number 4 out of 42. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" by Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereint | Ludwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 1 | 8B | 81 BPM | ||
Die Forelle, D. 550 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D♭ Major | 0 | 3B | 166 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | D♭ Minor | 2 | 12A | 94 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Teresa Berganza, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 129 BPM |