"La Favorite: Ange si pur" by Gaetano Donizetti, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin was released on January 28, 2022. The duration of La Favorite: Ange si pur is about 3 minutes long, at 3:23. Based on our data, "La Favorite: Ange si pur" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Donizetti: La Favorite: Ange si pur and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of La Favorite: Ange si pur is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Favorite: Ange si pur by Gaetano Donizetti, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Puccini: Tosca, Act 1 Scene 3: "Dammi i colori! … Recondita armonia" (Cavaradossi, Sagrestano) | Giacomo Puccini, Giuseppe Di Stefano, Angelo Mercuriali, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Don Pasquale: Act I: Quel guardo il cavaliere | Gaetano Donizetti, Roberto Abbado | B Major | 1 | 1B | 129 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM |