Jacques Offenbach, André Cluytens, Bourvil, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès)" available on January 1, 1948. The duration of Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) by Jacques Offenbach, André Cluytens, Bourvil, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) | Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach | D Major | 1 | 10B | 79 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |