"Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)" by Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar was released on January 5, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) by Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bergamasca | Giovanni Girolamo Kapsberger, Marco Uccellini, Claudio Monteverdi, Constantinople | D Major | 2 | 10B | 123 BPM | ||
La Dama d'Aragó | Christina Pluhar, Quito Gato, Traditional | G Minor | 1 | 6A | 97 BPM | ||
Kapsberger: Canario (Improvisations based on Girolamo Kapsberger) | Giovanni Girolamo Kapsberger, Christina Pluhar, L'Arpeggiata | G Major | 3 | 9B | 133 BPM | ||
Caresana / Arr. Pluhar: Serenata: La Pastorale | Cristofaro Caresana, Christina Pluhar, Céline Scheen, Valer Sabadus, Luciana Mancini, Vincenzo Capezzuto, Alessandro Giangrande, Joao Fernandes, Zachary Wilder | C Major | 4 | 8B | 121 BPM | ||
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 0 | 11B | 128 BPM | ||
Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | D Minor | 1 | 7A | 110 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater dolorosa | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Tarantella del Gargano | Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | D Minor | 2 | 7A | 110 BPM | ||
Tarantella calabrese | Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | G Major | 3 | 9B | 131 BPM | ||
Cor mio, mentre vi miro | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Minor | 1 | 5A | 133 BPM |