Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley made "Tarantella calabrese" available on 2001. The duration of Tarantella calabrese is about 3 minutes long, at 3:09. Based on our data, "Tarantella calabrese" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 11 out of 17. Based on our statistics, Tarantella calabrese's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tarantella calabrese by Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Vivaldi: Tieteberga, RV 737: "Sento in seno ch'in pioggia di lagrime" (Lotario) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 119 BPM | ||
Ciaccona | Tarquinio Merula, Christina Pluhar | C Major | 2 | 8B | 92 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Caresana / Arr. Pluhar: La Veglia: Una dama, la più fortunata - Ballo detto la Barerra - Non è vero | Cristofaro Caresana, Christina Pluhar, Vincenzo Capezzuto, Alessandro Giangrande, Céline Scheen, Luciana Mancini, Zachary Wilder | G Major | 7 | 9B | 117 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Traditional / Arr. Pluhar: Fenesta che lucive. Lamento funebre | Traditional, Christina Pluhar, Vincenzo Capezzuto | B Minor | 0 | 10A | 91 BPM | ||
Tres sirenas | Anonymous, Christina Pluhar | B Minor | 2 | 10A | 131 BPM | ||
Tu ch'ai le penne amore | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | D Minor | 0 | 7A | 101 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM |