"Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390" by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe was released on 1996. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Schütz: Geistliche Chormusik". In this album, this song's track order is #10. In terms of popularity, Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390 by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drei motetten, Op. 110: I. Ich aber bin elend | Johannes Brahms, Tenebrae, Nigel Short | G Major | 2 | 9B | 83 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM | ||
Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months | Benjamin Britten, Finzi Singers, Paul Spicer | B Minor | 1 | 10A | 108 BPM | ||
Come away, come, sweet love | John Dowland, Amarcord | E Major | 2 | 12B | 66 BPM | ||
Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
Io parto e non piu dissi | Carlo Gesualdo, Ensemble Métamorphoses, Maurice Bourbon | A Minor | 0 | 8A | 80 BPM | ||
Missa L'homme arme: Kyrie (Missa L' homme arme) | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | B Major | 1 | 1B | 134 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Geistliche Chormusik, Op. 11: 23. Selig sind die Toten, SWV 391 | Heinrich Schütz, Ulrike Hofbauer, Stefan Kunath, Tobias Mäthger, Jan Kobow, Felix Schwandtke, Hille Perl, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 135 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM |