"Come away, come, sweet love" by John Dowland, Amarcord was released on 2006. The duration of Come away, come, sweet love is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Come away, come, sweet love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Come away, come, sweet love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come away, come, sweet love by John Dowland, Amarcord having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La pastorella mia | Jacques Arcadelt, Shirley Rumsey | A Minor | 0 | 8A | 96 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Ein henlein weis | Antonio Scandello, Scandello Antonio, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Requiem: I heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
Gaudete in Domino | Giaches de Wert, Stile Antico | G Minor | 3 | 6A | 116 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM |