"Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months" by Benjamin Britten, Finzi Singers, Paul Spicer was released on January 1, 1999. With Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 21 in Britten: Five Flower Songs, Advance Democracy, Sacred and Profane & A Boy Was Born by Benjamin Britten, Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months by Benjamin Britten, Finzi Singers, Paul Spicer is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | F♯ Minor | 0 | 11A | 134 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza - Live | Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust | A Minor | 2 | 8A | 164 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |