"Nocturnes, L.91: I. Nuages" by Claude Debussy, Cleveland Orchestra, Pierre Boulez was released on January 1, 1995. Nocturnes, L.91: I. Nuages is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 1 out of 8 in Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell. In terms of popularity, Nocturnes, L.91: I. Nuages is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturnes, L.91: I. Nuages by Claude Debussy, Cleveland Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: 3. Allegro - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM | ||
Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | ||
Images - Book 1, L. 110: 1. Reflets dans l'eau | Claude Debussy, Pascal Rogé | D♭ Major | 0 | 3B | 62 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Debussy: Chansons de Bilitis, Musique de scène, CD 102, L. 96: III. Les contes | Claude Debussy, Nash Ensemble, Delphine Seyrig, Marisa Robles, Lionel Friend | E♭ Major | 0 | 5B | 86 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM |