Kurt Weill, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra)' came out on January 1, 1976. With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #1 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) being at 108 テンポ, the half-time would be 54 テンポ with a double-time of 216 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A Theatre Piece for Singers, Players and Dancers I: 3. Responsory: Alleluia | Leonard Bernstein | F Major | 1 | 7B | 108 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Treemonisha / Act one: No. 4 We're goin' around (A Ring Play) | Scott Joplin, Kenneth Hicks, Houston Grand Opera Chorus, Houston Grand Opera Orchestra, Gunther Schuller | G Major | 5 | 9B | 111 BPM | ||
Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 | Franz Schubert, Ian Bostridge, Julius Drake | D Major | 0 | 10B | 72 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM |