"Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547" by Franz Schubert, Ian Bostridge, Julius Drake was released on May 1, 1998. The duration of Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Schubert: Lieder". In this album, this song's track order is #12. Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 by Franz Schubert, Ian Bostridge, Julius Drake having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: 6 Songs, Op. 34: No. 2, Auf Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Barbara Bonney, Geoffrey Parsons | G Major | 2 | 9B | 87 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Petite Messe solennelle - Kyrie: Kyrie (I) | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 124 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" | Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe | E Major | 1 | 12B | 114 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM |