"Serse: Aria "Ombra mai fù" (Atto I, scena 1)" by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl was released on 1999. The duration of Serse: Aria "Ombra mai fù" (Atto I, scena 1) is about 3 minutes long, at 3:03. Based on our data, "Serse: Aria "Ombra mai fù" (Atto I, scena 1)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's "Handel: Ombra mai fù" album is number 7 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Serse: Aria "Ombra mai fù" (Atto I, scena 1) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria "Ombra mai fù" (Atto I, scena 1) by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Judas Maccabaeus: Act 3. Duet: O lovely peace | George Frideric Handel, Philharmonia Baroque Orchestra, Lisa Saffer, Nicholas McGegan, Patricia Spence | F♯ Major | 0 | 2B | 170 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): I. Introitus - Requiem æternam | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, René Jacobs, Freiburger Barockorchester | D Minor | 1 | 7A | 90 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |